|
|
TrinitusPrice for the standard version in 2 colors in 108 glass is EURO 799,- + P&P. If you want other lay-ups and/or special color schemes, mail or call me and lets discuss the details (lay-up and colors/scheme) and I'll give you a price. I only produce on orders (If you are very lucky I have some in stock). Payment in advance. A cross tail is under way... |
![]() |
|
|
| Wing span | 3200mm |
| Area | 64 sqdm |
| Aspect ratio | 16 : 1 |
| Airfoil | HQW 2,0 / 8,0 |
| Weight | 2050 - 2150 grams |
| Wing loading | 32,0 - 33,6 g/sqdm |
How to trim a Trinitus (Danish / English) - description of settings, movements with a bit of theory and pictures.
Henrik Nielsen has taken pictures of his way of assembling his Trinitus - 1 - 2 - 3. Be aware that part of the work he has done is due to that fact that his version was a special one, where he had to trim the trailing edge, cut the rudders free, hinge them and make the vipers.
In
the autumn of 1997 we seven pilots in Denmark decided to build what we
thought would be the best all round glider so far. We intended to use it
for ordinary thermal flying and for competition in F3B- and
F3J-contests. We had many ideas and opinions about span, aspect ratio,
area, wing forms and airfoils but after serious thoughts, sketches and
calculations together with a few grips in the aerodynamic darkness we
agreed on the shown model.
But
how did we get to this??
This
piece is of course about our model, but I have tried to generalize, so
our method of approach can be used on your new designs as well.
What
does an all round glider need?
Cl means lift coefficient.
ad.
2. Great
speed is obtained by using
an airfoil with as little drag as possible when it is almost not lifting.
Thin symmetrical airfoils has little drag when not lifting at all. Low
drag is also obtained with a broad wing because the Reynolds number
increases. Because we wanted to fly F3B we do unfortunately have to turn
3 times, so our wing does also need to be able to lift the plane around
those three times. The lifting ability is made the same way as above -
high aspect ratio. And a heavy plane adds to the speed.
ad.
3. A
flat glide is obtained by using an airfoil with least drag when lifting
a little (Cl about 0,1-0,3). Drag can also be minimized with a great
aspect ratio which minimizes the induced drag, but since the Cl when
gliding is not very great, the induced drag is also small. This makes
the whole thing very fluffy!
ad.
4. To
get a good launch you need an airfoil with a high lifting ability - look
at #1
The
airfoil in the wing is the first thing to decide upon and the airfoil we
are looking for needs to have:
ad.
1. Great
camber
ad.
2. Very
little camber
ad.
3. Small
camber
ad.
4. Great
camber
A. A
light plane
B.
A heavy plane
The
worse you are at finding lift, the more you need #1. The better you are
at detecting thermals the higher priority you can give #2 and #3. Flaps
can give you #4 with any airfoil.
If
you build light and then make room for ballast you have both A and B.
After
all these thoughts we began our search for the perfect airfoil. The only
one we found suited to our demands was the HQW 2/8, which Helmut Quabeck
made for his F3B-plane “Master Piece”. This airfoil is a bit on the
fast side but we think highly of our thermal searching skills - and we use
flapperons!
Helmut
has previously designed airfoils. Back in ´81 came his first airfoils -
the HQ-series. In ´83 he came 2’nd at the F3B WC in York with one of
the now older airfoils HQ
1,5/9 (this is still a good airfoil). The new sections are presented in
his book from ´94:“Design,
leistung und dynamik von Segelflugmodellen” - it’s a great book
(and in German).
F3B
planes normally had a span of about 2,7-3,0 but the trend in ´97 said
that a span of 3,1-3,2
meters was maybe better. In F3J the best planes used to be about 3,3-3,6
meters, but to get better all round (= rough wetter) performance the
span was generally decreasing to about 3.2-3,4 meters. With this in mind we settled for 3,2 meters equals 126”.
To
get a flat gliding angle even at low speeds we needed a high aspect
ratio, but without the tip chord being so narrow that tip stall would be
the order of the day. Too high aspect ratio gives a thin wing that needs
lots of carbon to be strong enough . We decided on an AR of 16:1, which
gave us an area of 64 sqdm.
To make the airfoil as precisely as possible and to make it easier to make identically planes we wanted to make a mould. Making it by hand takes a lot of work and is not as precisely as when milling it - what did we do? We wanted the best all round glider so far so did we have any choice? We got the positives milled. This way we could also make a plan form with curves in every direction we wanted.
Now it
was time to hit the drawing board.
In
´94 Martin Hepperle (the airfoil designer who made MH 32 etc.) was
thinking about the air moving around the tip of a wing. When he was
through thinking, he told about his thoughts in Ösnabrück, and Stefan
Siemens wrote about Martins thoughts together with Horst Torunski in the
German magazine ”Flug- und Modelltechnik” 1+3/97. They found that at
the outermost 10% of the wing you shouldn’t worry about the critical Reynolds
number. Among other things, this is the reason for all the tip
lets you see on gliders today. They do also increase the stability when circling in lift. This knowledge, my
fiddling with an ordinary
elliptical wing form and thoughts about swept back tips, gave us the
resulting Trinitus wing plan form.
This is the raw positive wing, milled in southern Germany
This is the top of the positive wing mould - it shines!
The
fuselage is made with one eye and two hands on the plug and the second
eye on a V-Ultra plus fuselage. It’s not a copy - we made it from wood
and by hand, but they are very close, though ours is a little longer and
not slimmed behind the wing. For ballast we did use one single tube with a
diameter of 27mm and a length of 330mm. There was is room for an obscene
amount of lead. Today I use a smaller tube with room for about 550-600
grams. The V-tail is modified from an Europhia-V-tail mould
John had in his workshop.
|
Model: Designed
by |
Ténéré John
Villum Rasmussen Torben
Rasmussen Peter
Christensen |
Master-Piece (Muster Model) Helmuth
Quabeck |
V-ultra Plus Heinrich
Fischer |
Europhia Martin Weberschock Hannes
Delago |
Cobra Calypso Stuart
Blanchard |
Varp 1 Dieter
Perlick |
Trinitus Erik
Dahl Christensen Claus
Engfred Olsen John
Villum Rasmussen |
Estrella Reinhard
Liese Martin
Weberschock Heinrich
Fischer |
|
Year: |
1989 |
1994 |
1995 |
1996 |
1997 |
1997 |
1997 |
1999 |
|
Span: (mm) |
3000 |
3000 |
3010 |
3000 |
3100 |
3250 |
3200 |
3159 |
|
Area
(dm2): |
66,7 |
64,85 |
62,1 |
64,0 |
64,0 |
62,5 |
64,0 |
61,0 |
|
Aspect
ratio: |
13,5 : 1 |
13,2 : 1 |
14,6 : 1 |
14,1 : 1 |
15,0 : 1 |
16,9 : 1 |
16 : 1 |
16,4 : 1 |
|
Airfoil: |
RG 14 |
HQW 2/8 |
RG 15 |
HD 48 |
MH 32 |
MH 32 mod |
HQW 2/8 |
MW3 2,3% / 8,4% |